1.0Jakarta Film Weekhttps://jakartafilmweek.com/enrich600338<blockquote class="wp-embedded-content" data-secret="BIikE6DuAX"><a href="https://jakartafilmweek.com/en/film/diamonds-in-the-sand">DIAMONDS IN THE SAND</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://jakartafilmweek.com/en/film/diamonds-in-the-sand/embed#?secret=BIikE6DuAX" width="600" height="338" title="“DIAMONDS IN THE SAND” — Jakarta Film Week" data-secret="BIikE6DuAX" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://jakartafilmweek.com/wp-includes/js/wp-embed.min.js </script> https://jakartafilmweek.com/wp-content/uploads/2025/10/Diamonds-in-the-Sand_Still3-Momoko-Nakamura.jpg19201080Divorced and adrift, Yoji confronts loneliness after his mother’s death. Meeting Minerva, a Filipina caregiver, and her daughter Angel in Manila, he finds fragile hope in human connection. Confronting kodokushi and urban decay, Yoji embraces an unpredictable future instead of silent isolation. ACHIEVEMENT Udine Far East Film Festival 2025 | Winner : White Mulberry Award […]